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LDF held its annual fundraising gala in St. Leonardo DiCaprio will play the role of Hugh Glass in upcoming film The Revenant, shot entirely with natural light in the remote wilderness of Canada. Leonardo calls for climate action at Mayors summit in Paris Learn More. Learn More. The Revenant.
Follow Leonardo. Follow LeoDiCaprio. Join Us What issue do you care about the most? Leonardo calls for climate action at Mayors summit in Paris Leonardo joins artists and public leaders at the Global Citizen Festival Leonardo and LDF join more than institutions pledging to divest from fossil fuels All had good things but also a fair number of flaws, neither really doing the book justice.
However despite some questionable stylistic touches the spirit of the book and prose as well as of the Jazz Age are here in the way that the other three versions didn't really do so well. It is easy though to see why people criticise the latest version of The Great Gatsby. The first minutes are very rushed and overblown with editing that is so dizzying it could induce a seizure.
The CGI was overdone and not needed, it also looks a little too cartoonish. Tobey Maguire is the weakest of the Nick Carraways the best being Sam Waterson , the observer and the glue of the story, he's too wide-eyed and too much of a blank and doesn't really convey the dignity, carelessness and social awkwardness.
On the other hand, the film on the most part looks great, it is beautifully shot and the lavish costumes and sets are never short of exquisite. The party scenes generally have the glitz and glamour any party of the 20s would do. Also period-detail wise it's the most authentic to the 20s period, like for example Daisy's clothing and cropped hair.
Where The Great Gatsby scores the best of the four adaptations is in the depiction of the Jazz Age, it is glitzy but there is also the sense of fun, danger and excitement that weren't there before. While there is Luhrmann's style written over the spirit of the story is essentially there.
Nick's narration has a lot of lines directly lifted out of the book and much of the dialogues are the same the old sport utterings get too much though admittedly. The story has the life, emotion and passion that the film as a consequence of being too faithful did not have. And the structure and essence are present with Gatsby still an enigma always was part of the book's allure, 's ruined that quality by revealing Gatsby's background and who he is far too early. From the first minutes there is a real temptation to turn the film off, but if you stay with it it does slow down and becomes a huge improvement to what was seen before.
Some won't like the sanitarium stuff, actually Nick telling the story in retrospect to someone else was not too bad a storytelling device and did better than how the version did it. As with the acting, it is very good and is the most consistent cast of the four versions. Only Maguire didn't across as well as he ought to have done. Leonardo DiCaprio lives up to his character's greatness. There is a sense of him paying homage somewhat to Robert Redford's mannerisms but instead DiCaprio is much more charismatic in the role and there is much more of sense of mystery, more charm, more yearning and a sense of arrogance.
This is also the only one of the four adaptations where I found myself really liking and relating to Gatsby. Carey Mulligan is also the best of the Daisys, a character that wasn't played very well at all previously. With Mulligan she is pretty and doesn't play too blandly or stridently, there is a charm and spirit about her but she doesn't make us forget that Daisy is shallow and selfish as well.
The chemistry between the two is more convincing than that of the other versions, in a way it is somewhat cold but it is in keeping of the sense that their love is incompatible. Joel Edgerton is the second best Tom after Bruce Dern. He resembles the character better physically, but is the only actor after Dern to actually get the attitude and mannerisms of Tom exactly right, he is a real hard-edged brute but with a glimmer of tenderness instead of being too suave or too soft.
Jason Clarke is good as George, he does show a tormented side but also a sense of not being the brightest bulb on the block. Elizabeth Debicki is beautiful and witty and brings depth and assurance also to Jordan, despite being somewhat underused, and Isla Fisher is appropriately conniving as Myrtle if not as much a sleaze as Karen Black. Luhrmann does direct efficiently with much of the drama being allowed to breathe while bringing his own style to it, though there are scenes with it being too much.
The pacing is rushed to begin with but when it slows down there's not much of a problem. Overall, not the great motion picture it could have been, but I found it very enjoyable and the best of the four adaptations. The best version will always be the book though. Only a poor soundtrack filled with contemporary music spoiled this latest version of The Great Gatsby for me. In a tradition of blond Gatsbys, Leonardo DiCaprio steps into the shoes of Alan Ladd and Robert Redford in essaying the part of the social climbing bootlegger from the Roaring Twenties.
The problem is that she's slightly married to upper class Tom Buchanan. In fact except for DiCaprio and Tobey Maguire as Nick Carraway the whole cast is mostly Australian which is to be expected since most of the production was shot there. I have to say that the Australian studio did a marvelous job in recreating New York of the Twenties and the ritzy and glamorous part of Long Island where most of the story takes place. As the book is written in the person of Nick Carraway it was also a good move to have Maguire narrate the story.
Tobey's narration gives us the background of the story and Carraway's character functions as he should. Leonardo DiCaprio does a wonderful job playing the social climbing Gatsby who weaves his own legend as he gives fabled parties on Long Island where the illegal liquor flows freely. Beneath his self assurance there is a bit of a frightened edge like this is all going to be taken away from him so enjoy while you can. Perhaps the producers thought that no one would see a film with old music in it.
There is some there, Gershwin's Rhapsody In Blue comes to mind. But the contemporary music on the soundtrack is jarring and out of place. But overall this is a good telling of F. Scott Fitzgerald's tale of the Roaring Twenties.
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