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Haakon Chevalier Translator ,. Ferrarin translator. As explosive and immediate today as when it was first published in , 'Man's Fate' 'La Condition Humaine' , an account of a crucial episode in the early days of the Chinese Revolution, foreshadows the contemporary world and brings to life the profound meaning of the revolutionary impulse for the individuals involved.
As a study of conspiracy and conspirators, of men ca As explosive and immediate today as when it was first published in , 'Man's Fate' 'La Condition Humaine' , an account of a crucial episode in the early days of the Chinese Revolution, foreshadows the contemporary world and brings to life the profound meaning of the revolutionary impulse for the individuals involved.
As a study of conspiracy and conspirators, of men caught in the desperate clash of ideologies, betrayal, expediency, and of free will, Andre Malraux's novel remains unequaled. Translated from the French by Haakon M. Get A Copy. Paperback , pages.
Published February 19th by Vintage first published April 28th More Details Original Title. Shanghai , China. Prix Goncourt Other Editions All Editions. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Man's Fate , please sign up. I have this research i have to do about this Novel can, can any one tell me something useful about it? What's the point of it all? I'd be thankful if any one tells me something.
Manuel-Antonio Monteagudo Gauvrit The power of man against death, its supreme act of dignity when he confronts death with defiance. See all 3 questions about Man's Fate…. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of Man's Fate.
Oct 13, Ahmad Sharabiani rated it really liked it Shelves: french , classics , literature , 20th-century , historical , culture , political , philosophy , china. The novel is about the failed communist insurrection in Shanghai in , and the existential quandaries facing a diverse group of people associated with the revolution. The novel occurs during a day period mostly in Shanghai, China, and concerns mainly the socialist insurrectionists and others involved in the conflict.
Their individual plights are intertwined throughout the book. Chen Ta Erh is sent to assassinate an authority, succeeds, and is later killed in a failed suicide bombing attempt on Chiang Kai-shek. After the assassination, he becomes governed by fatality and desires simply to kill, thereby fulfill his duty as a terrorist, a duty which controls his life.
This is largely the result of being so close to death since assassinating a man. He is so haunted by death and his powerlessness over inevitability that he wishes to die, just to end his torment. View 2 comments. May 03, Joselito Honestly and Brilliantly rated it it was amazing.
Why would I give five stars to a book I did not enjoy, did not like, felt nothing special about and came very close to not finishing it? Because late in my life I had come to realize this: a translation can create and it can destroy. That the act of translating a literary work is not a neutral and mechanical act but a truly creative one.
A bad translation can mangle a work beyond recognition; a good translation--as GR's Cynthia Nine attests vis-a-vis Coelho's regurgitations--is capable of turnin Why would I give five stars to a book I did not enjoy, did not like, felt nothing special about and came very close to not finishing it? A bad translation can mangle a work beyond recognition; a good translation--as GR's Cynthia Nine attests vis-a-vis Coelho's regurgitations--is capable of turning out something even better than the original, like a much improved version of a crude prototype the author originally wrote.
So in reading a work which is not in its original language it matters a lot which translation you read, and that you cannot really be sure, going gaga over a "masterpiece" you've just stumbled upon, if the same was excellence conceived or excellence in translation.
I am sure I've read about several great writers, though at the moment I remember only Nabokov, who developed their literary muscles translating classics before they wrote their own. And so now I repent and ask forgiveness for my many sins of ingratitude, those countless occasions where I toasted the writers and their works while ignoring, forgetting and treating as completely insignificant their translators without whom I would have not been able to read what they've written at all.
But here, I commit no such sin. I do the opposite. I condemn the translator Haakon M. Chevalier who did a horrible job here, his only saving grace being that he was lucky. Lucky for having me as his reader, forced by the circumstances that I do not know French and do not have any other translation available, I who recognized the great plot revolution, China's nascent communist movement , Andre Malraux's brilliant conceptions terrorists, revolutionaries, their sacrifices and inescapable humanity , his stirring prose faintly detected by myself, mostly imagined, but with moral certainty that it exists in the original French all buried under the muck and mess this accursed translator managed to inundate these all with.
Yet I cannot do anything about what enrages me: that he cannot thank me for this singular favor, as he is most likely dead already the pocketbook I have has a copyright ; while I, in turn, can only give five stars to this novel IN SPITE OF his translation, but cannot pump five bullets on the wrist of his writing hand as his well-deserved punishment and as my revenge.
View all 13 comments. Dec 07, Tom rated it really liked it. The novel concerns the communist upraising in Shanghai in The book works on several different levels. On one level it is an action novel featuring the siege, by communist and European insurgents, of a police station in Shanghai, political assassinations, and an arms hijacking. On a larger, more political level, it chronicles the machinations of Russia, the Kuomintang, European industrialists and bankers, and finally the nascent Communist party of China as they decide the fate of the insurg The novel concerns the communist upraising in Shanghai in On a larger, more political level, it chronicles the machinations of Russia, the Kuomintang, European industrialists and bankers, and finally the nascent Communist party of China as they decide the fate of the insurgency and the workers and peasants who support it.
On yet another level, it is the story of a dozen principle actors and the moral and philosophical attitudes that wed them, not only to political involvement, but inform their search for the meaning of existence. For a book whose framework is dependent on political events which are fading from our consciousness into the past, it is a remarkably good read and often transcendent of the times in which it was written, speaking to the persistent dilemma of finding personal meaning in a chaotic and absurd world.
View all 3 comments. Nov 01, Jonfaith rated it really liked it. What a tale of jihad and lust during a civil war. If that appears reductive, there is a touch more shadow and verse at play in this gripping and frenetic novel of Shanghai in Equally dogmatic and dour, Man's Fate is episodic in terms of narrative and ensemble.
There is gore and grief and considerable historical certainty at what the Future holdseven as the vanquished are tortured and often burned alive. Elements are included of miscegenation and misogyny. These simply enhance the noir.
There's plenty of silence, muttering and plaintive smoking. There's a suicide bomber and a confidence man straight out of Melville. Jul 21, Marcus rated it it was amazing Shelves: literature. A brilliant brilliant book that spoke to me of commitment, fidelity and belief, and the bond that are forged in shared struggles. These aspects are greatly magnified by placing the key characters on the losing side, thus hi-lighting the ever present moments in which choices have to be made, and responsibility taken once those decisions are enacted upon.
This is all achieved without recourse to romantic, or heroic cliches, indeed there is a real warmth the emerges from the strong relations throug A brilliant brilliant book that spoke to me of commitment, fidelity and belief, and the bond that are forged in shared struggles.
This is all achieved without recourse to romantic, or heroic cliches, indeed there is a real warmth the emerges from the strong relations throughout the book I think I'm going to read this again. So it doesn't suprise what he chose to write about in Man's Fate. The novel, set in revolutionary China, and which won the Goncourt Prize, was every bit as alarming and tough going as I thought it would be.
The story begins with an act of murder carried out a Chinese terrorist for the Revolution just before an insurrection in Shanghai. China at the time was half Europeanized, half Buddhist, and torn by internal disagreement. The major characters are two brothers, with others coming and going both military and politically. There is suicide, deadly battles, and a great sense of grief for all.
This is a powerful novel, that is rich in depth in terms of it's characters, and Malraux shows that in such times of conflict there are never any real winners. Great book about the Chinese Civil War. It's not a chronicle, but a dramatisation of the few days surrounding a communist uprising against the regime and its foreign allies.
The main characters are the party militants, led by Europeans, who have dedicated their lives to this violent ideology, and are determined to win or die trying. As is often the case, their lack of concern for their own wellbeing serves to justify their coldblooded mass calculations of the fate of others.
It's a very well tol Great book about the Chinese Civil War. It's a very well told story, with a violent opening that thrusts the reader right into the action, a gradual build-up to the battle, and as a finale the merciless crackdown that follows. A great introduction to pre-WWII China, which skilfully combines the overarching international agenda and world events with the personal actions of individuals struggling with their internal contradictions and fears. In certain circumstances, people are no longer free to carry on as normal, and must either take part in the violence or flee.
Such perfect storms afflict mankind periodically, and this is an excellent study of one such disaster. View 1 comment. Nov 12, Patrick Cook rated it it was ok Shelves: general-fiction , 20th-century-fiction. Man's Fate La Condition humaine might be a classic example of a book that's more talked about than read. Having now finished it, I think I know why. Malraux had an appealing, Byronic, image. This somehow managed to survive late-life tenure as a Gaullist minister and pillar of the French establishment.
Man's Fate was not Malraux's first book, but it is probably the one that first made him famous to a wider literary public, winning the Prix Goncourt in In terms of plot, it's a fictionalize Man's Fate La Condition humaine might be a classic example of a book that's more talked about than read. In terms of plot, it's a fictionalized retelling of the April 12 Incident in Shanghai, in which a group of Communist insurgents attempted to assassinate Chiang Kai-shek and start a revolution.
They failed and were ultimately brutally repressed, but the incident is traditionally regarded as the beginning of the Chinese Civil War, which would not be fully resolved until That's the background. The novel centres on several characters of diverse nationalities and ethnicities, most of them Communists or fellow travelers.
They plot, they have philosophical conversations, they take drugs and have sex. Although all of them have 'exotic' backstories and worldviews, none really has very much of a personality. As a novel of ideas, it unquestionably has moments of brilliance. Perhaps the most famous line of the novel is a very solid attempt at the now rather unfashionable genre of philosophical aphorism: 'The dream of god is to become man but keep all his power. The dream of man is to become a god but keep his personality'.
As a political novel, it can be fascinating. However, it's inconsistent and lots of it is simply turgid. I'm afraid there is in fact a reason why more people read the novels of Camus than those of Malraux. It's difficult to know how much of the blame lies with Haakon Chevalier as translator. Although now better known as a friend and confidant of Robert Oppenheimer, Chevalier was a respected scholar of French literature.
His prose, however, as been criticized as dull and unidiomatic. Perhaps this is the reason why Malraux is not very widely read in the Anglosphere. I'm not really in a position to judge. However, I will say that this book was something of a chore to finish and felt much longer than its pages. Dec 08, Ensiform rated it liked it Shelves: french , fiction. Translated by Haakon M.
I found this bleak analysis of the twentieth-century human condition, set during the Chinese Revolution, to be intermittently brilliant and boring. The philosophical musings on, well, man's fate — human will as the prime mover, dismissal of all else — were fascinating, but the book dragged at times, bogged down by somewhat stilted dialogue.
On the other hand, the dramatic style was skilled: the dark tone of the text, with its descriptions of shadows and light, Translated by Haakon M. On the other hand, the dramatic style was skilled: the dark tone of the text, with its descriptions of shadows and light, fog and rain, and the episodic, realistic plot fit the overall tone of isolation and despair perfectly; and the cast of characters from all walks of life added some interest. However, in all an overly depressing work, and a bit unreal, too forced: the protagonists all share the same bleak outlook, the same drive for death as the final meaning to life, the same passion for their own fate.
There were external — political, personal and military — conflicts, and internal conflicts as some characters struggled to discover their strength of will, but no meaningful ideological conflict, which makes all the philosophical posing somewhat hollow, as if the conclusion drives the actions, rather than the other way round. Jan 26, Feliks rated it it was ok Shelves: international.
Even for me--a longtime reader of works of revolutionary politics and political science--this novel was cumbersome to absorb. To place it among the more stalwart literature I've already read concerning the Chinese Civil War, is a reluctant action on my part. I'm forced to designate it one of the more poorly-written 'great books' of this type, which has come my way so far. I'm at a loss to explain why the book has remained so highly-regarded for so long.
It routinely appears on lists of fine nove Even for me--a longtime reader of works of revolutionary politics and political science--this novel was cumbersome to absorb. It routinely appears on lists of fine novels; yet the clearly talented author commits some of the worst blunders found in the worst novels in this entire sub-genre.
Chief flaw: it is an extremely 'talky' book. They are mouthpieces only. We've all seen this symptom exhibited in other books but here the disease is at its most manifest. Everyone in the book jabbers political theory, well beyond the point where it is even sensible. Does all this gibberish help give the reader a glimpse of the frantic events leading to the Revolution? Although the characters yammer on just as much about factions and street battles, alliances and army movements as they do Theory, there's similarly no coherence there either.
The book does not make sense of the background events it is supposed to depict. What's left? Well, the exotic cast of characters and their actions There's hints of competent, nuts'n'bolts storytelling remaining in little islands dotting the course of the narrative. I found a few passages of pure action which were fairly riveting: stealing munitions off a cargo ship, storming a police station; a bomb attack on Chiang Kai-Shek.
The lead figure in these episodes is a mentally-troubled but impassioned rebel Ch'en, and his fury gives the book most of its liveliness where every other character is a mynah bird. It truly reaches almost comical proportions, the amount of speechifying all these figures engage in. Even when dashing about pell-mell, running for their lives, evacuating the city, Malraux's rebels will breathlessly scurry into a safe-house, only steps ahead of pursuers, nonetheless enjoy time to engage in revolutionary dialectics.
The other prominent figure in the story is a French diplomat Farrar, who incredibly at the height of the street fighting, remains obsessed with his mistresses. This is the other leading 'topic' Malraux exhausts: romance and l'amour. Sorely trying to this reader's patience. Again, the sheer wordiness. Farrar's interludes with the sultry V. This couple talks about theories of love more than they make love!
They even write tedious letters to each other about the politics of gender and the ethics of coupling. On and on and on, more talk, more words, more speeches. Whatever it is all intended to amount to, I'm sure I can't say. Maybe the novel improves upon re-reading or in discussion groups. Maybe this novel was hotly debated by lovers and intellectuals among little tables along the Left Bank of the Seine in its day.
I suppose I'm glad I read it, but the pleasure is desultory--I am more relieved to have done with it; and I'm taking very little away with me from the experience. There's one hilarious chapter where the pompous Farrar is made-a-fool-of by V. It gave me a "frissonde of excitement, the evanescence of which lingered in my thoughts as I went about my morning toilette" Shelves: french-lit , favorites.
La condition humaine is a great existentialist novel written by the extremely flamboyant Andre Malraux who did and saw a great deal in his adventuresome life. In , he was caught with art treasures stolen from Angkor Wat in Cambodia. After eight months in prison, he moved on to China where he worked with the Kuomintang. Later he would organize and command an air division on the Republican side in the Spanish Civil War. He served as a soldier in the French Army that was defeated by the Germans La condition humaine is a great existentialist novel written by the extremely flamboyant Andre Malraux who did and saw a great deal in his adventuresome life.
He served as a soldier in the French Army that was defeated by the Germans and later became a leader of the Resistance. From on, he would be a firm Gaullist eventually becoming France's minister of culture. While doing all this he wrote prolifically establishing himself as a major writer and as one of the leading art critics of his age.
The novel La condition humaine is almost but not quite as remarkable as the life of its extraordinary author. It is set in Shanghai and deals with the liquidation of the Communists in the city in April Malraux presents the reader with a fascinating set of characters all of whom are modelled on real communist militants including Zhou en Lai Kyoshi that Malraux met during his time in the Orient.
The reader is instantly attracted to these doomed individuals who all must attempt to die a dignified existentist death of which the saddest and most glorious is that of Kyoshi Zhou en Lai. In real life of course Zhou en Lai survived and lived to reunite with Malraux in when Malraux was visiting China on a mission for de Gaulle.
For the last 60 years, French lit undergraduates had found themselves reading this classic at some point usually quite early in their academic careers. Other readers will find La condition humaine very worthwhile for its great historical authenticity and magnificent Aristotelian pathos. Oct 30, Nick rated it really liked it. Goncourt Prix in La condition humaine.
Malraux's incurssion into the human's nature, his reflections on our destiny and our race's meaning is what in my mind constitutes the main value of this book. The novel is much more than just a history of the Communist crashing at the hands of Chiang Kai-shek's Kuomintang in Shanghai. Aside from capturing this historical moment which marked the split between the two political partners and the start of the Chinese Civil War, Man's Fate gave me Goncourt Prix in La condition humaine.
Aside from capturing this historical moment which marked the split between the two political partners and the start of the Chinese Civil War, Man's Fate gave me new reason to see ourselves as the challenged species we are: too aware of our contract with time, too "enthusiastic" about our little significance nothingness.
A man's portrait? Look no further: "Every man dreams of being a God And as with our species inconstant, paradoxical, also able of greatness , in all the bad, there are islands of good: The passing of the cyanide the Russian communist Katov at peace with himself ; the older Gisors' - tired of living, but finding absolutely wonderful philosophical wealth in the process; Kyo's wife, May, who is also tired of leaving but one can see how she'll nevertheless get married again and probably have kids Characters dissapear in this novel Baron deClappique, Valerie just like in real life people we browse by in our existence, only to sink in the dark afterwards : We don't learn what happened to them in the end, we'll never know.
Destinies cruise through life, we cruise through ours. Sometimes three stars, more often five, I decided to give it four stars in the end. A reading worth my time! May 26, Steve rated it liked it. Much of that, however, is lost to me, being someone who sees the page and the ink and not much else.
My eyes did take note of M. Hmmm, I thought, that sort of thing seems so commonplace today; I suspect M. Malraux is wagging his finger in his grave, especially since bailouts have become so expected over the past 80 years. Somewhere toward the end of this work my mind wandered to a memorable scene in the original Star Trek series when a guest character asked Mr.
Death by electrocution, death by gas, death by phaser, death by hanging Spock, was Jul 27, Arjen rated it it was amazing Shelves: non-dutch , philosophy. What can I say? Translated to Dutch by the author's friend Edgar Du Perron. Written in These are facts. This is, without doubt, the richest, most dense literature I have ever read. Every word seems to have meaning. Every sentence insists itself on the paper and is in a constant struggle with it's brethren to be the most beautiful and most meaningful one.
Reading Malraux is not something you do for leisure. This is for those who want to grab What can I say? This is for those who want to grab life at the throat, spit in fate's face and take control of their own actions. I finished this book about 1 month ago. It took me several weeks to find the courage to write this review.
Actually, I still don't know why I am writing this as I feel that every word I write is an insult to Malraux. I loved the harrowing last pages, it was there that I recognized the Malraux I knew. Unfortunately, the first pages were very stiff, comprising of some communists, some ultra-communists and some other communists exchanging very dated theoretical views about Communism and what should be done who to exterminate in late s Shanghai in order to install Communism there - I'm afraid they succeeded I didn't realise until I picked this up from the library that it was set in a violent struggle between the Chinese communists and Chiang Kai Shek's Kuomintang in almost 20 years before the communists came to power.
It covers a very short time period and focuses on only four or five main characters, mostly but not all communists. Historically, it's a very interesting book. As literature, I found it rather patchy. The best parts for me were where Malraux gets philosophical or delves deeply i I didn't realise until I picked this up from the library that it was set in a violent struggle between the Chinese communists and Chiang Kai Shek's Kuomintang in almost 20 years before the communists came to power.
The best parts for me were where Malraux gets philosophical or delves deeply into the psychology of a character. Then there are action scenes which are fine, and the hardest parts to read were the political discussions and descriptions.
This was presented as a function of putting the revolution first but I think it went deeper in the psyche of the book than that. I had to rush it a little. I didn't have time to go back and check on who was who etc.
I'd like to read it again when I have more time. Jan 27, Brian rated it liked it Shelves: soviet-communism-socialism , internet-archive. This is not a book review, but rather a review of the quality of Haakon Chevalier's translation of La condition humaine , called Man's Fate. I don't read or speak French, but before you discount me for that, please note that I do read and speak English, the language in which this translation was written. Chevalier's English translation was, in my opinion, very poorly written.
I'm not alone either, judging by other comments and reviews at Goodreads. I know, I know, some authors' writing style This is not a book review, but rather a review of the quality of Haakon Chevalier's translation of La condition humaine , called Man's Fate. I know, I know, some authors' writing styles do not conform to the standards of a language and, yet, they are still masterpieces.
James Joyce's Ulyssus , for example. If Malraux's writing style is like this, then Chevalier's translation might actually be a superb rendition of Malraux's work, and my hand should be resolutely slapped for being such a prude. But from what I can determine, Malraux's writing style was not that unusual.
It was notably prosaic, along the lines of Hemingway perhaps. There was another translation of the book, by Alastair MacDonald, done in the same year as Chevalier's. His translation is, again, in my opinion, vastly superior to Chevalier's it has some awkward sentences, but far fewer than Chevalier. So I'll say this right now, if you are considering reading this book, save yourself the frustration and just read MacDonald's Man's Estate translation, not Chevalier's Man's Fate.
I came to read this book because I love Ralph Ellison. Ellison counts Malraux's novel as deeply influential to him. He refers to the book as "Man's Fate" in his memoir writing, so I assume he that means he read Chevalier's translation, even though both were in publication and perhaps available to him.
But after reading Man's Fate , I am left wondering why Ellison, one of America's best authors, liked this book so much. The answer, I think, is that Ellison was an impressionable young writer at the time and he was taken more with the book's existentialism, the Communist ideology of its protagonists with which Ellison sympathized at the time , and how the book deals with the intersection of individual lives and political ideals a theme Ellison addressed with skill in his own novel, Invisible Man , rather than with Chevalier's slipshod writing.
Take my recommendation to read Man's Estate. Or, if translation interests you, read both. But just in case you don't trust my opinion, allow me to give some examples of the same passage from each translation. MacDonald's versions are engaging and easy to read, whereas Chevalier's make me want to throw the book across the room.
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